PixelArt understands contemporary imagery as a contested territory
Rooted in the logic of occupation inherent to urban art,
his practice examines how cultural icons, public space and digital languages are appropriated,
fragmented and reinserted into new visual structures.
The pixel operates both as a minimal unit of information and as a gesture of symbolic conquest within an image-saturated culture
SPATIAL OPERATIONS


Working through mosaic, stencil systems and large-scale pixel structures, these projects transform walls, surfaces and architectural contexts into unstable image territories where memory, technology and visual culture intersect.

The archive includes permanent mosaics, ephemeral street actions, fragmented stencil systems and process documentation developed across multiple urban contexts.
VISUAL SYSTEMS


Operating between abstraction, optical instability and fragmented cultural memory, the works transform pixels into material fields governed by rhythm, repetition and spatial perception.

The archive includes mosaic systems, plotted drawings, experimental surfaces and process-based image constructions developed across multiple physical formats.
SELECTED CONTEXTS

PERCEPTUAL LABS




NETWORKED IMAGERY

A crypto-art collection appropriating the visual grammar of early NFT culture through handcrafted pixel construction and symbolic reinterpretation.

Blockchain extensions transforming original image matrices into collectible digital artifacts.
Operating between crypto-native aesthetics, handcrafted pixel construction and conceptual appropriation, these projects expanded his investigation of how images circulate across technological, symbolic and economic networks.
The pixel as occupation
PIXEL-BASED SYSTEMS INVESTIGATING IMAGE PERSISTENCE, SYMBOLIC INVOCATION AND THE MATERIAL RECONSTRUCTION OF MEMORY.