Since 2012, PixelArt has developed a multidisciplinary practice investigating how digital imagery can persist beyond the screen through pixel-by-pixel mosaic construction, urban interventions and architectural installations.

Working between contemporary art, digital culture and public space, the practice examines the migration of images across different media, scales and temporalities. Classical paintings, historical figures, popular iconography and fragments of collective memory are translated into physical pixel structures capable of occupying, transforming and activating urban environments.
At the center of this work lies a long-term investigation into image persistence. Rather than treating images as static representations, PixelArt approaches them as living cultural entities that continuously disappear, return and acquire new meanings through circulation, reconstruction and repetition.

Many of these interventions operate as acts of symbolic invocation. Through the reconstruction of figures such as Dalí, Beethoven, Neruda, Nicanor Parra, Leonardo da Vinci, Valenzuela Puelma and Victor Jara, the work seeks to reactivate cultural presences within contemporary space. These gestures function less as tributes than as encounters, establishing a dialogue between historical memory, material permanence and the invisible networks through which images continue to influence collective experience.

Across mosaics, stencils, urban occupations and architectural projects, the practice constructs a distributed visual archive where pixels become vessels of memory and urban space becomes a site of symbolic transmission.