“Shadow Mapping” · Abstract & Logic Series · Mosaico Veneciano · 60 × 60 cm · 2026
“Shadow Mapping” · Abstract & Logic Series · Mosaico Veneciano · 60 × 60 cm · 2026
“Shadow Mapping” · Abstract & Logic Series · Mosaico Veneciano · 60 × 60 cm · 2026
“Shadow Mapping” · Abstract & Logic Series · Mosaico Veneciano · 60 × 60 cm · 2026
“Shadow Mapping” · Abstract & Logic Series · Mosaico Veneciano · 60 × 60 cm · 2026
“Shadow Mapping” · Abstract & Logic Series · Mosaico Veneciano · 60 × 60 cm · 2026

SHADOW MAPPING Venetian Mosaic · 60×60 cm · 2026

US$2.400

Unique Piece

A culminating work within the artist’s exploration of binary systems, optical perception, and computational image construction. Created in 2026, Shadow Mapping investigates one of the most fundamental challenges in digital representation: the simulation of light, depth, and spatial relationships using minimal visual information.

Constructed from 3,600 hand-placed Venetian glass tesserae measuring 1 × 1 cm, the work presents a circular form suspended within a structured field of binary geometry. Through the precise organization of pixel-based vector lines, the composition generates the illusion of a floating object casting a shadow onto the plane beneath it. The result is a visual event that appears simultaneously mathematical and physical, transforming a flat surface into a convincing experience of volume and depth.

The title references a technique widely used in computer graphics to calculate and simulate shadows within virtual environments. By translating this concept into Venetian mosaic, the artist transforms a digital rendering process into a handcrafted physical object, creating a dialogue between ancient material traditions and contemporary computational thinking.

Developed through workflows rooted in legacy software, including methodologies derived from Macromedia Fireworks, the piece continues the artist’s long-term investigation into software archaeology. Historical digital tools become instruments for producing images that feel remarkably contemporary, demonstrating how obsolete technologies can still generate new visual possibilities.

As viewers move around the work, subtle optical shifts emerge within the grid, activating the illusion of depth and reinforcing the sensation of a suspended form. The piece occupies a unique territory between Op Art, digital abstraction, geometric minimalism, and contemporary mosaic practice.

As a unique work, Shadow Mapping represents a significant milestone in the artist’s binary mosaic series, bringing together long-standing investigations into perception, light, code, and the physical construction of digital space.

Available for acquisition.

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