Limited Edition · Exhibited in Paris

The invention of the pixel stencil.

“Angry Man” marks a decisive breakthrough in the artist’s practice: the development of an original pixel-stencil system that made it possible to paint pixel structures previously considered unworkable within traditional stencil techniques.

Instead of treating the pixel as a graphic effect, the artist approached it as a physical construction problem. By separating alternating rows into independent stencil layers, individual square pixels could be sprayed and reassembled with perfect alignment, creating a method that translated digital image logic directly into street art practice.

Inspired by 12 Angry Men, the work presents a fragmented portrait of Henry Fonda suspended between duplication and distortion. The repeated face merges through a third eye, generating a visual tension between identity, memory, and technological reproduction. The vibrant pink background and spontaneous yellow spray marks preserve the energy of the street while emphasizing the collision between precision and improvisation.

More than a portrait, Angry Man represents the moment when the pixel left the screen and became a reproducible urban tool.

Original works from this series entered private collections in France following its exhibition in Paris in 2018.

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